Roll out the red carpet, put on your best outfit and pop the champagne because it’s Oscars Weekend!
I’m pretty excited about this year’s nominees because of the diverse film genres and titles that you wouldn’t normally see making it to such ceremonies. Of course, my focus is always on book-to-film adaptations and I’m not disappointed at the ones that became blockbuster hits, and have been in the spotlight at film festivals and award shows this year.
“Call Me By Your Name” by André Aciman is nominated for Best Picture, Best Actor in a Leading Role by Timothé Chalamet, Best Adapted Screenplay and Best Original Song for “Mystery of Love” by Sufjan Stevens.
It tells the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents’ cliffside mansion on the Italian Riviera. Each is unprepared for the consequences of their attraction, when, during the restless summer weeks, unrelenting currents of obsession, fascination, and desire intensify their passion and test the charged ground between them. Recklessly, the two verge toward the one thing both fear they may never truly find again: total intimacy. It is an instant classic and one of the great love stories of our time. (Source: Chapters Indigo)
In the Best Animated Feature category, the Academy fell in love with three children’s books about a baby in charge, a brave eleven year-old Afghan girl during the rule of the Taliban, and a bull not like the others.
“The Boss Baby” by Marla Frazee
“The Breadwinner” by Deborah Ellis
“The Story of Ferdinand” by Munro Leaf (Ferdinand)
Christopher Plummer is nominated for Best Actor in a Supporting Role in the movie adaptation of “Painfully Rich: The Outrageous Fortunes and Misfortunes of the Heirs of J. Paul Getty” by John Pearson.
American oil tycoon J. Paul Getty created the greatest fortune in America-and came close to destroying his own family in the process. Of his four sons who reached manhood, only one survived relatively unscathed. One killed himself, one became a drug-addicted recluse, and the third had to bear the stigma all his life of being disinherited in childhood. The unhappiness continued into the next generation, with the name Getty, as one journalist put it, “becoming synonymous for family dysfunction.” Getty’s once favourite grandson was kidnapped by the Italian mafia, lost his car and, after a lifetime of drink and drugs, became a paraplegic. A granddaughter is currently suffering from AIDS. And the Getty family itself has been torn apart by litigation over their poisoned inheritance. But did the disaster have to happen? (Source: Chapters Indigo)
Netflix has been behind numerous excellent productions such as “Beasts of No Nation” and “1922”. “Mudbound”, a period drama film based on Hillary Jordan’s novel, is no different. It received four nominations for Best Adapted Screenplay, Best Actress in a Supporting Role by Mary J. Blige, Best Original Song for “Mighty River” by Mary J. Blige, Raphael Saadiq and Taura Stinson, and for Best Cinematography.
It is the saga of the McAllan family, who struggle to survive on a remote, ramshackle farm, and the Jacksons, their black sharecroppers. When two sons return from World War II to work the land, the unlikely friendship between these brothers-in-arms—one white, one black—arouses the passions of their neighbours. As the women and men of each family tell their version of events, we are drawn into their lives. Striving for love and honour in a brutal time and place, they become players in a tragedy on the grandest scale and find redemption where they least expect it. (Source: Chapters Indigo)
The adaptation of Shrabani Basu’s novel “Victoria & Abdul” is nominated for Best Makeup and Hairstyling.
In the twilight years of her reign, after the devastating deaths of her two great loves—Prince Albert and John Brown—Queen Victoria meets tall and handsome Abdul Karim, a humble servant from Agra waiting tables at her Golden Jubilee. The two form an unlikely bond and within a year Abdul becomes a powerful figure at court, the Queen’s teacher, her counsel on Urdu and Indian affairs, and a friend close to her heart. This marked the beginning of the most scandalous decade in Queen Victoria’s long reign. As the royal household roiled with resentment, Victoria and Abdul’s devotion grew in defiance. Drawn from secrets closely guarded for more than a century, Victoria & Abdul is an extraordinary and intimate history of the last years of the nineteenth-century English court and an unforgettable view onto the passions of an aging Queen. (Source: Chapters Indigo)
The film “Wonder” based on R.J. Palacio’s novel is also nominated in the category of Best Makeup and Hairstyling. When I saw the trailer, I immediately knew it would do the book justice and pull at the audience’s heartstrings.
August Pullman was born with a facial difference that, up until now, has prevented him from going to a mainstream school. Starting 5th grade at Beecher Prep, he wants nothing more than to be treated as an ordinary kid—but his new classmates can’t get past Auggie’s extraordinary face. (Source: Chapters Indigo)
Blade Runner 2049 was very much anticipated this year following the success of the first instalment in 1982. Though this neo-noir sci-fi film is loosely based on Philip K. Dick’s “Do Androids Dream of Electric Sheep?, it earned itself five nominations for Best Cinematography, Best Production Design, Best Sound Editing, Best Sound Mixing and Best Visual Effects. (I can attest to that)
By 2021, the World War has killed millions, driving entire species into extinction and sending mankind off-planet. Those who remain covet any living creature, and for people who can’t afford one, companies built incredibly realistic simulacra: horses, birds, cats, sheep. They’ve even built humans. Immigrants to Mars receive androids so sophisticated they are indistinguishable from true men or women. Fearful of the havoc these artificial humans can wreak, the government bans them from Earth. Driven into hiding, unauthorized androids live among human beings, undetected. Rick Deckard, an officially sanctioned bounty hunter, is commissioned to find rogue androids and “retire” them. But when cornered, androids fight back—with lethal force. (Source: Chapters Indigo)
The adapted autobiography by Molly Bloom “Molly’s Game” (Molly’s Game: From Hollywood’s Elite to Wall Street’s Billionaire Boys Club, My High-Stakes Adventure in the World of Underground Poker) is nominated for Best Adapted Screenplay. It is the true story of “Hollywood’s poker princess” who gambled everything, won big, then lost it all. When she was a little girl in a small Colorado town, she dreamed of a life without rules and limits, a life where she didn’t have to measure up to anyone or anything—where she could become whatever she wanted. She ultimately got more than she could have ever bargained for. (Source: Chapters Indigo)
Also nominated in the same category is “The Disaster Artist”. The book written by Greg Sestero and Tom Bissell is considered to be one of the most important pieces of literature by the Huffington Post.
In 2003, an independent film called The Room—starring and written, produced, and directed by a mysteriously wealthy social misfit named Tommy Wiseau—made its disastrous debut in Los Angeles. Described by one reviewer as “like getting stabbed in the head,” the $6 million film earned a grand total of $1,800 at the box office and closed after two weeks. Ten years later, it’s an international cult phenomenon, whose legions of fans attend screenings featuring costumes, audience rituals, merchandising, and thousands of plastic spoons. (Source: Chapters Indigo)
“Beauty and the Beast” based on Disney’s 1991 Animated Feature and inspired by Jeanne-Marie Leprince de Beaumont’s story of the same name, is nominated for Best Production Design and Best Costume Design.
Both “Guardians of the Galaxy Vol. 2” and “War of the Planet of the Apes” received a nomination for Best Visual Effects, while “Logan” is nominated for Best Adapted Screenplay. A big part of me is thrilled that these three movies are celebrated because no one would ever think that superhero movies would meet the usual standards of the Oscars or how CGI has become an essential part in the making of certain films.
There you have it! All of the nominated films that once were only in print.
Which film(s) will you be cheering for Sunday night?
It’s Oscars Weekend! Whether you tune into this awards night religiously every year or simply see the highlights on the internet the next morning, it’s THE biggest event of the year in the movie industry. Other than seeing the A-listers, what they are wearing and of course, the opening monologue, what I’m usually most excited about is to see which movie adaptations of books made the cut.
For the 89th Academy Awards, 5 movies out of the 9 nominatees for Best Picture are adapted screenplays. You know what they say…never judge a book by its movie but sometimes, they actually get it right.
“Stories of Your Life” by Ted Chiang (Arrival)
When mysterious spacecrafts touch down across the globe, an elite team, lead by expert linguist Louise Banks, is brought together to investigate. As mankind is on the verge of global war, Banks and the team race against time for answers. To find them, she will take a chance that could threaten her life, and quite possibly humanity.
“Fences” by August Wilson (Fences)
Fences is the story of Troy Maxson, a mid-century Pittsburgh sanitation worker who once dreamed of a baseball career, but was too old when the major leagues began admitting black players. He tries to be a good husband and father, but his lost dream of glory eats at him, and causes him to make a decision that threatens to tear his family apart.
“Hidden Figures” by Margot Lee Shetterly (Hidden Figures)
A group of dedicated female mathematicians known as “human computers” helped launch rockets, and astronauts, into space in the 1960s. This book tells the true stories of Dorothy Vaughan, Mary Jackson, Katherine Johnson, and Christine Darden. These four African-American women lived through the Civil Rights era, the Space Race, the Cold War, and the movement for gender equality, and still, their work changed the face of NASA.
“A Long Way Home” by Saroo Brierley (Lion)
Five year old Saroo gets lost on a train which takes him thousands of miles across India, away from home and family. Saroo must learn to survive alone in Kolkata, before ultimately being adopted by an Australian couple. Twenty five years later, armed with only a handful of memories, his unwavering determination, and a revolutionary technology known as Google Earth, he sets out to find his lost family and finally return to his first home.
“Moonlight Black Boys Look Blue” by Tarell Alvin McCraney (Moonlight)
An unpublished semi-autobiographical play, Moonlight Black Boys Look Blue, better known as Moonlight, “presents three stages in the life of the main character, Chiron. It explores the difficulties he faces with his own sexuality and identity, including the physical and emotional abuse he receives as a result of it.
Many other movies based on books were also nominated but under different categories:
Actor in a supporting role
Tony and Susan by Austin Wright (Nocturnal Animals)
Actress in a leading role
Oh…by Philippe Djian (Elle)
Animated featured film
Autobiographie d’une Courgette by Gilles Paris (My Life as a Courgette)
Silence by Shūsaku Endō (Silence)
Costume design and Production design
Fantastic Beasts and Where to Find them (J.K. Rowling)
Foreign language film
A Man Called Ove by Fredrik Backman
Short film (animated)
Blind Vaysha by Georgi Gospodinov
Sound editing and Visual effects
Deepwater Horizon’s Final Hours by David Barstow, David Rohde and Stephanie Saul (Deepwater Horizon)
Highest Duty by Chesley Sullenberger and Jeffrey Zaslow (Sully)
13 Hours by Mitchell Zuckoff (13 hours: The Secret Soldiers of Benghazi)
The Jungle Book by Rudyard Kipling (The Jungle Book)
What do you think about this year’s nominated books-to-movies?